Jinhe Naaz Hai Hind Par (Pyaasa, 1957): Between the Craftsmanship of Sahir Ludhianvi & the Genius of Guru Dutt
It is one’s miserable fate to watch something as reflective as Pyaasa (1957) for the first time in the centenary year of Guru Dutt, nearly seventy years after the film’s release. And once done, it is inevitable to return to it every few months; perhaps, that is where its genius lies, for it remains timeless and relevant, continuing to mirror the anxieties of each passing decade. In fact, it resonates more so with the present-day India, an India that is more divided and fragmented than ever befor...